Moodymann, “Taken Away”: black music a servizio dell’house By Gaspare Giaramita | Dischi, HOME, Recensioni | No Comments
Nightclubbing #9 – Marco Basciano, quest’anima del mondo By Alessio Librizzi | HOME, Nightclubbing | No Comments
Perfume Genius: “Set My Heart on Fire Immediately” (Matador, 2020) By Luisa Cassarà | Dischi, HOME, Recensioni | No Comments
Nightclubbing #8 – Country Disco Club, Voyage au bout de la nuit By Alessio Librizzi | HOME, Nightclubbing | No Comments
Hanni El Khatib, “Flight”: bricolage schizofrenico By Gaspare Giaramita | Dischi, HOME, Recensioni | No Comments
“La voce del padrone”: quando Battiato alzò bandiera bianca contro la musica impegnata By Federica Vinciguerra | HOME, Throwbacktime | No Comments
Nightclubbing #7 – Simone Rutigliano, efebo d’oro By Alessio Librizzi | HOME, Nightclubbing | No Comments
Joy Division, “Closer”: This is the Way, Step Inside By Luisa Cassarà | HOME, Throwbacktime | No Comments
Mark Lanegan: “Straight Songs Of Sorrow” (2020, Heavenly Recordings) By Claudio Gambino | Dischi, HOME, Recensioni | No Comments
Einstürzende Neubauten, “Alles in Allem”: la voce di Berlino By Gaspare Giaramita | Dischi, HOME, Recensioni | No Comments
“Sing Backwards and Weep”: Mark Lanegan, nel male e nel bene By Luisa Cassarà | HOME, Recensioni | No Comments
Nightclubbing #6 – Giovanni Montuori, L’Arte della Gioia By Alessio Librizzi | HOME, Nightclubbing | No Comments
Ezio Bosso (Torino, 13 settembre 1971-Bologna, 14 maggio 2020) By Vito Pompeo | HOME, NEWS | No Comments
Nick Cave and the Bad Seeds: “Murder Ballads” (Mute Records, 1996) By Fabio Casano | Dischi, HOME, Recensioni | No Comments
“Il Grande Lebowski”: essere l’uomo giusto al momento giusto nel posto giusto By Federica Vinciguerra | HOME, Sound and Vision | No Comments
Clams Casino: il “cloud rap” da scoprire By Gaspare Giaramita | Dischi, HOME, Recensioni | No Comments
Nightclubbing #5 – Roma: D_Hanger, Un Cocktail d’Amore By Alessio Librizzi | HOME, Nightclubbing | No Comments
Ghemon: “Scritto nelle Stelle” (Carosello Records/ Artist First, 2020) By Dario Megna | Dischi, HOME, Recensioni | No Comments
“War”: la forza di un album che non smette di farci cantare By Marco Casalicchio | HOME, Throwbacktime | No Comments
Concerti estivi, il noir spagnolo contro il fantasy italiano By Gianfranco Raimondo | HOME, NEWS | No Comments
Come “Alta Fedeltà” ha insegnato l’arte delle playlist By Federica Vinciguerra | HOME, Sound and Vision | No Comments
Nightclubbing #4 – I Candelai, Elogio della Follia By Alessio Librizzi | HOME, Nightclubbing | No Comments
BC Camplight – “Shortly After Takeoff” (Bella Union, 2020) By Gaspare Giaramita | Dischi, HOME, Recensioni | No Comments
Colapesce – “Off the Beach (5 Neil Young Songs Recorded Live at Home During the Lockdown)” By Gaspare Giaramita | Dischi, HOME, Recensioni | No Comments
Glenn Danzig: “Danzig Sings Elvis” (Cleopatra Records, 2020) By Luisa Cassarà | Dischi, HOME, Recensioni | No Comments
Nightclubbing #3 – Milano: Sergio Tavelli e Andrea Ratti, il corsetto e la cintura By Alessio Librizzi | HOME, Nightclubbing | No Comments
Yves Tumor, “Heaven to a Tortured Mind”: un paradiso per le orecchie By Gaspare Giaramita | Dischi, HOME, Recensioni | No Comments
Obongjayar: “Which Way is Forward?” (September Recordings, 2020) By Luisa Cassarà | Dischi, HOME, Recensioni | No Comments
Nightclubbing #2 – Nunzio Borino, il realismo magico By Alessio Librizzi | HOME, Nightclubbing | No Comments
